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Dramatic texts - Zusammenfassung Dramaatische Texte

Zusammenfassung Dramaatische Texte
Kurs

Literatur-Introduction to Literary Analysis (04-ANG-1101)

34 Dokumente
Studierenden haben 34 Dokumente in diesem Kurs geteilt
Akademisches Jahr: 2018/2019
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Universität Leipzig

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Dramatic texts ➢ Dramatic texts are: - works of art meant to be performed on stage - - defined by classical unities - written in present form of tense - no narrator -> mediated by acting personae in dialogic/monologic form - may involve stage directions  Aristotle's Classical Unities: rules for the drama  I) unity of action = play should have one action (+ minimal sub-plots) II) unity of time = action should not exceed the time of 24 hours III) unity of place = play should happen at one place ❖ GENRES ❖  Tragedy: - imitation of an action that is serious, of a certain magnitude and complete . - character’s fortune turns from good to bad (e. by his misbehaviour) . - our identification with the tragic hero/heroine + our experiences of fear and pity has effect of catharsis  Comedy: - superior, wit, laugh and pleasure - often stages people of the middle or lower classes as flat types -> stereotyped forms of behaviour, may hold mirror up to society - poetic justice prevails in the end -> quarrels settled without any serious harm  History: - dramatic genre based on a historical narrative set in earlier times ANALYZING a DRAMA a) Communication - Who says what to whom? In which way? For what reason? (title, speakers, dramatic speech: content (what), styles/form (how), functions (why) of prologue/monologue/dialogue (line-by-line exchange?) b) Character and Action - What kind of characters do we find in the drama and how do they influence the action? simple vs. complex individuals (characters (flat orflat round static/dynamic), plot structure and its function (genre,types conflicts, play within a play, main plot vs. sub-plots), themes (love, hate, friendship)) oretc.,round unchanging vs. developing static or dynamic simple types vs. complex individuals flat or round fully explained vs. closed/enigmatic transparent or opaque unchanging vs. developing static or dynamic ordinarily vs. extraordinarily perceptive/self-aware psychological or transpsychological fully explained vs. closed/enigmatic transparent or opaque ordinarily vs. extraordinarily perceptive/self-aware psychological or transpsychological c) Space and Time - Where and when does the story take place? (setting(s), realisation on stage, functions/conception of time (timeframe /period), place and atmosphere) d) Relation to Reality - How does the drama relate to the sociocultural context? (topics, conflicts, relevance for today, previous and contemporary performances, reception/critique, cultural context)

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Dramatic texts - Zusammenfassung Dramaatische Texte

Kurs: Literatur-Introduction to Literary Analysis (04-ANG-1101)

34 Dokumente
Studierenden haben 34 Dokumente in diesem Kurs geteilt

Universität: Universität Leipzig

War dieses Dokument hilfreich?
GENRES
Tragedy: - imitation of an action that is serious, of a certain magnitude and complete
. - character’s fortune turns from good to bad (e.g. by his misbehaviour)
. - our identification with the tragic hero/heroine + our experiences of fear and pity has effect of
- catharsis
Comedy: - superior, wit, laugh and pleasure
- - often stages people of the middle or lower classes as flat types -> stereotyped forms of behaviour,
- may hold mirror up to society
- - poetic justice prevails in the end -> quarrels settled without any serious harm
History: - dramatic genre based on a historical narrative set in earlier times
flat or round
simple types vs. complex individuals
static or dynamic
unchanging vs. developing
transparent or opaque
fully explained vs. closed/enigmatic
psychological or transpsychological
ordinarily vs. extraordinarily perceptive/self-aware
ANALYZING a DRAMA
a) Communication
- Who says what to whom? In which way? For what reason?
(title, speakers, dramatic speech: content (what), styles/form (how), functions (why) of prologue/monologue/dialogue (line-by-line exchange?)
b) Character and Action
- What kind of characters do we find in the drama and how do they influence the action?
(characters (flat or round etc., static/dynamic), plot structure and its function (genre, conflicts, play within a play, main plot vs. sub-plots), themes (love, hate, friendship))
flat or round
simple types vs. complex individuals
static or dynamic
unchanging vs. developing
transparent or opaque
fully explained vs. closed/enigmatic
psychological or transpsychological
ordinarily vs. extraordinarily perceptive/self-aware
c) Space and Time
- Where and when does the story take place? (setting(s), realisation on stage, functions/conception of time (timeframe /period), place and atmosphere)
d) Relation to Reality
- How does the drama relate to the sociocultural context?
(topics, conflicts, relevance for today, previous and contemporary performances, reception/critique, cultural context)
Dramatic texts
Aristotle's Classical Unities: rules for the drama
I) unity of action = play should have one action (+ minimal sub-plots)
II) unity of time = action should not exceed the time of 24 hours
III) unity of place = play should happen at one place
Dramatic texts are: - works of art meant to be performed on stage
- - defined by classical unities
- - written in present form of tense
- - no narrator -> mediated by acting personae in dialogic/monologic form
- - may involve stage directions