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War Photographer Analysis
Subject: English Studies
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High School - Canada
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War Photographer Analysis
In Carol Ann Duffy’s poem “War Photographer”, a troubled man in his own
unsettling thoughts disputes the merit of his job as a war photographer and the
undervalued position he carries out as a living. The mood/atmosphere being produced
as well as the narrated visual, auditory, and religious imagery within the poem highlight
the concept of traumatizing effects haunting an individual when perceiving anguish in
war at first hand.
In the first stanza, multiple references towards religious imagery help establish
the main contention that observing death in war has a series of traumatizing effects that
haunts an individual. For instance, the red light of a church is mentioned through the
use of a simile when the speaker is comparing it to the red light of his darkroom. This
implements a symbolic idea of the red colour visual to represent blood foreshadowing
the mention of “blood stained”(18) later in the poem. The simile linking the religious
visual to the photographer’s darkroom expresses his thoughts of a church when
developing “spools of suffering” (2) meaning his notion was towards God whilst grasping
at the agony within the photographs haunting him knowing he was the one who had
captured them. Additionally, he uses a metaphor to equate himself placing photographs
to observe to “a priest preparing to intone a Mass”(5) creating a second attention
drawing religious imagery due to the alliteration present in ‘priest preparing’ and the
capitalized letter in the word ‘Mass’. The metaphor can also be interpreted to have a
double meaning, in which the priest could literally be preparing for a mass in honour of
the lost lives and he, the photographer, is preparing the images to display in the church
out of respect and honour towards the soldiers who he solemnly watched suffer and