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Historical Approach of the song Saranggola ni Pepe Part 1
Course: 21st Literature Century (21st Lit102)
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“ Historical Approach of the song Saranggola ni Pepe “
(Part 1)
This analysis will focus on Celeste Legazpi's well-known song "Saranggola ni
Pepe" by employing a historical approach to analysis, which entails comprehending the
events and experiences surrounding the composition of the work, particularly the
author's life, and applying the findings to interpret the literature. We will try to unveil
the hidden meaning of the author’s song relating it to the past life or on history.
Saranggola ni Pepe on the other hand really has its relevance when it comes to history.
Hence, the song's highly visual lyrics and enigmatic meaning appealed to political
dissidents oppressed by the Marcos administration.
The first two lines of the song's first verse, "Matayog ang lipad ng saranggola ni
Pepe, Matayog ang pangarap ng matandang bingi," focus on our national hero, Jose
Rizal, because his pen name is Pepe. This line implies that Jose Rizal has an ultimate
goal for his country, and he sacrifices his life for us to have freedom and fly freely like a
kite, while "matandang bingi" represents Marcos' indifference to the sentiments of the
Filipino people under his leadership, he somehow resembles a deaf person who ignores
the people's grievances. "Umihip ang hangin, nawala sa paningin, Sigaw ng kahapon,
nilamon ng alon," the third and fourth lines, allude to the lives of Filipinos during
martial law, implying that Marcos and his martial law ruled our country in the blink of
an eye. Because of martial law, our national hero's dream for the Filipino people was left
in the past, and our dream of freedom grew more difficult to achieve. "Malabo ang
tunog ng kampanilya ni Padre, Maingay ang taginting, rosaryo ng babae," the fifth
and sixth lines, imply that the justice system is dead, that we have become voiceless, that
we are not allowed to speak for ourselves, that our opinions are not validated, and that
the only thing that Filipino people can do is have faith in God. The chorus part which is
“Nay, nay, nay, nay” is the representation of a mother during martial law, the Filipinos
cried out for aid like a child.